Japan Samuel Beckett Delegates

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Beckett in Japan 2006

Beckett in Japanese

Borderless Beckett:
International Samuel Beckett Symposium in Tokyo 2006
September 29 – October 1

￭ schedule ￭ registration/accommodation ￭ events ￭ delegates ￭ home

ACKERLEY, Chris	English Department, University of Otago	“Fun de partie” 2) Puns and paradigms in Endgame abstract
ASTRUP, Mikkel	University of Oslo Faculty of Arts	Sick Beckett? abstract
BENOIT, Eric	University Bordeaux 3, Department of french literature	Beckett et les hantises d’un autre monde :la littérature aux frontières d’une théologie négative abstract
BEN-ZVI, Linda	Tel Aviv University	Plenary Session: Beckett and the Art of his Century Beckett, McLuhan, and Television: The Medium, the Message, and ‘the Mess’ abstract
BOXALL, Peter	University of Sussex	Back Roads: Beckett, Banville and Ireland’ abstract
BRATER, Enoch	University of Michigan	Plenary Session: Beckett and the Art of his Century From Dada to Didi abstract
BROWN, Terence	Trinity College, Dublin	Yeats, Beckett and the Ghosts in the Machines abstract
BRYDEN, Mary	Cardiff University	Keynote Speaker Clowning with Beckett abstract
BRUNEAU-SUHAS, Régine Jeanine	Université Michel de Montaigne Bordeaux 3 Département Arts du spectacle UFR SICA	Le roc, la roche mère abstract
CAMPBELL, Julie	University of Southampton	Transgressing the Borders: Beckett's Narrative Play abstract

CLÉMENT, Bruno	Université Paris 8	Mais quelle est cette voix ? abstract
CONNOR, Steven	University of London	"On Such and Such a Day...In Such a World" ' - Beckett's Radical Finitude. abstract
DOSPINESCU, Liviu	University of Quebec in Montreal, Doctoral Program in Studies and Practices of Arts	Pour un théâtre phénoménologique : un modèle archétypal de réalité virtuelle dans le théâtre court de Samuel Beckett abstract
DOWD, Garin	Thames Valley University	Watt’s ways/suite wattienne abstract

FUJIWARA, Yo	Université Paris 8	Le rapport du narrateur et de l’ «entendeur» avec leur récit dans les œuvres romanesques et théâtrales de Samuel Beckett abstract

GONTARSKI, Stanley	Florida State University	Keynote Speaker The Future of Performance abstract
GRIGORUT, Constantin	University of Otago, Department of Languages and Literatures	“Fun de partie” 1) Formes et fonctions du calembour dans Fin de partie abstract
GROSSMAN, Evelyne	Université Paris VII	Keynote Speaker A la limite… abstract

GUILBARD, Anne-Cécile	Paris 8 University, Department of Literature	Voyons voir Beckett réalisateur : Qui voit quoi où ? ou n’y a-t-il vraiment que nuages passant dans le ciel à la télévision ? abstract
HAN, Seung-eok	Keimyung University	Beckett sans frontière: foyer de l'angoisse et image de soi, voyage vers l'autre abstract
HANSON, Zachary Arnold	Florida State University	Unnamable Motives: Coupling Beckett and Lispector abstract
HORI TANAKA Mariko	Aoyama Gakuin University	“Struggling With a Dead Language”: Beckett and the Japanese Avant-garde Theatre in the 1960s abstract
HUBARD, Gabriela García	University of Paris 7 – Denis Diderot, UFR in Literature, Science of Texts and Documents	≪ Sa naissance fut sa perte ≫ et la perte son aporie. abstract
INOUE, Yoshiyuki	Meiji University	Sam’s ‘small’ bodies: some connections with the 18^th century abstract
ISHIDA, Masaaki	Nihon University Graduate School of Social and Cultural Studies	Noh in Samuel Beckett abstract
ISHIKAWA, Taro	Kokushikan University	“Two windows”: On some effects of repetitions in A Piece of Monologue abstract
KAMYABI MASK, Ahmad	la faculté d’art dramatique et de la musique à l’Université de Téhéran	L'attente dans le théâtre de Beckett abstract
KANELLI, Katerina	University of Paris 8, Saint-Denis, Department of comparative litterature	Berceuse : Une danse des ténèbres abstract
KAWASHIMA, Takeshi	Waseda University	‘What Kind of a Name Is That?’: Samuel Beckett and his Strategy for Giving Names abstract
KEALY, Seamus	Blackwood Gallery, University of Toronto at Mississauga	Research for Exhibitions abstract
KIUCHI, Kumiko	University of Tokyo, Department of Interdisciplinary Studies/University of Sussex Department of	Marker of Borders and Giver of Language and Time: A Study of the Figure of Birds in the Work of Samuel Beckett abstract
KONDO, Masaki	Professor Emeritus Meiji University	Ill Seen Ill Said and “Ma” abstract
KUMAR, Niven	Macquarie University, Australia	Writing the Abyss: Beckett's Trilogy and the Essence of Literature abstract
LARANJINHA, Natália	University Dom Afonso III - Comparative Literature Department	Samuel Beckett : une écriture aporétique abstract
LAWLOR, Sean	Reading University	“Juggling like Confucius on Cubes of Jade: La Musique Chinoise in Dream of Fair to middling Women, Alba and Dortmunder” abstract
MARTINEZ,Victor	Paris 3 (Sorbonne Nouvelle) University	L’insignifiance ob-scène des précipités beckettiens : une dramaturgie avant l’heure abstract
MAUDE, Ulrika	University of Durham, Department of English Studies	“hint of jugular and chords": Beckett and Modern Medicine abstract
MAZOUER, Charles	Université Michel de Montaigne-Bordeaux III	Les couples dans le théâtre de Beckett abstract

MIGERNIER, Eric C.	Marshall University, Modern Languages	Beckett avec Deleuze et Blanchot: comment penser autrement abstract
MILZ, Manfred	Izmir University of Economics, Faculty of Fine Arts & Design	Beckett’s Nouveau Roman: Between intuition and the metaphysics of time and space abstract
MOORJANI, Angela	Emerita, University of Maryland, Baltimore County	Plenary Session: Beckett and the Art of his Century Child’s Play and the Learned Art of Unseeing abstract
MORI, Naoya	Kobe Women's University, Department of English	Beckett’s Cylinder as the Monad: Stone, Grit, and Sand abstract
NAITO, Jonathan Tadashi	University of California at Los Angeles, Department of English	Samuel Beckett and the Aesthetics of Silence abstract
NISHIMURA, Izumi	Aichi University	Les points de vue de Sirius dans L'Innommable et Textes pour rien abstract
NOWROUSIAN, Schirin	Université de la Sorbonne Paris IV	"Imagination, ear and eye" et "müdes Vogelgestöhn": une réflexion sur la musique et l’influence du poème "The Tower" de W. B. Yeats dans les trois pièces télévisuelles …nur noch Gewölk…, Nacht und Träume et Geistertrio abstract
OKAMURO, Minako	Professor of Theatre and Film Arts, Waseda University	...but the clouds... as a Seance and a Yeatsian Phantasmagoria abstract
O'LEARY, Joseph Stephen	Department of English Literature, Sophia University	Beckett’s Self-Translation and Intertextuality abstract
ONO Manako	Gakushuin University	Actes sans paroles et langage sans théâtre abstract

RAYNAL-ZOUGARI, Mireille	University of Toulouse-Le Mirail (France), Department of french literature	Dans le for extérieur de la boîte crânienne (proses et pièces pour la télévision) abstract
SAKAUCHI, Futoshi	University College, Dublin	Not I in the Irish context and beyond abstract
SALISBURY, Laura	Birkbeck College, University of London, School of English and Humanities	Boring Beckett: Trepanation, Brain Injury and Disreputable Language abstract
SALZ, Jonah	Prof. of comparative theatre, Faculty of Intercultural Communication, Ryukoku University, Kyoto	Heresy or creative solution?: 25 years of the Noho Theatre Group's Beckett productions abstract
SHEEHAN, Paul Gordon	Research Fellow, Macquarie University, Department of English	Beckett's Company: Bataille, Blanchot and Critical Transference abstract
SHEINA, Svetlana Yevgenjevna	Saratov State Socio-Economical University	Samuel Beckett’s Poetry and Solitude abstract
SHIMANUKI, Yoko	Tohoku University	Lisière et horizon chez Samuel Beckett – Crise ou évolution du lyrisme ? abstract
SHOJI, Sayaka	Birkbeck College, University of London, Department of English	Raw Materials, Body, Sound in Contemporary Art and Beckett's Works abstract
SIBONI, Julia	University of Paris IV-Sorbonne, Ecole doctorale III, Centre de Recherche sur l’Histoire du Théâtre	Vers l’intériorité : entre « mots muets » et silence bruissant. Un silence ontologique abstract
SMITH, Russell Brian	Australian National University, School of Humanities	Bearing Witness in How It Is abstract


SUWANWATTANA, Wanrug	Université Paris IV-Sorbonne, Ecole doctorale de littérature française et comparées	Le Paradoxe de l’impasse : Beckett et le zen, l’analogie d’un état d’esprit abstract
SUZUKI, Teppei	Graduate School of Humanities and Sociology, The University of Tokyo	La compréhension à travers l’«incompréhensible» - une interprétation «herméneutique» de L’innommable de Samuel Beckett - abstract
SWIATEK, Lucyna Janina	Macquarie University	Beckett and Nietzsche: The Acoustical Illusion of Being/Becoming abstract
TAJIRI, Yoshiki	Tokyo University	Beckett's Legacy in the Work of J. M. Coetzee abstract
TSUSHIMA, Michiko	University of Tsukuba, Doctoral Program in Modern Cultures and Public Policies	Eating' the Memory: St. Augustine's Concept of Memory in Beckett abstract
TUBRIDY, Derval	Goldsmiths College, University of London	Sounding Spaces: Aurality in Samuel Beckett and Contemporary Art abstract
TWOREK, Agnieszka Anna	Yale University, Department of French	Les visages de la voix dans le théâtre de Beckett abstract
UHLMANN, Anthony	Associate Professor, School of Humanities and Languages, University of Western Sydney	From Relation to Non-Relation: an aesthetics of the image abstract
WELLER, Shane	Lecturer, Comparative Literary Studies, School of European Culture and Languages. University of Kent	Not Rightly Human:Beckett and Animality abstract

￭ schedule ￭ registration/accommodation ￭ events ￭ delegates ￭ home

Supported by the Embassy of Ireland and the Embassy of France in Japan